Tuesday, 22 July 2014

'Dancing in the Dark' (Springsteen) slight return...

So, on acquiring a Bass Harmonica the first thing one asks oneself is 'why doesn't it sound like the noise I had in my head?'

I'm far from disappointed though.

It was great fun making 'spooky' noises in the dark when I first got my hands on it, but it has a job to do, and that means I have to make some attempt at learning to play it.

Easier said than done...

One of the reasons I purchased this instrument was wanting that 'sound' on The Flying Aspidistras'  version of 'The Green Eye of the Little Yellow God'.

I tried playing along with the second demo version.

It wasn't a great success.

I kept noodling away... errr,  alright, I imitated farting noises and laughed like a drain for about 2 days.

I eventually found I could very-nearly-almost accompany the demo version of 'Dancing in the Dark' I'd recorded.
I hadn't planed to re-record DitD, as - always happens - I'd become... well, sick of it.
It might come out to play if I can't think of anything else to twang, but it's definatly on the back-boiler.

So, back to work then.
Garageband reloaded into the iPad.
The DAW app doesn't really work of me, I find GarageBand much easier to edit on.
The problems with GarageBand are all the 'bells & whistles'.
It's always a temptation to add 'automatic' backing instruments to fatten the track out.

The only non-human instrument I recorded was the drum track and, initially, only to provide a metronome, but in the end it sounded better in than out so it stayed.

Instruments (in order of recording)
  • Track 01: Metronome Drum Track
  • Track 02: Resonator Ukulele c/w guide vox
  • Track 03: Baritone Ukulele.
  • Track 04: Resonator Ukulele.
  • Track 05: Pocket Bass Hamonica.
  • Tracks 06/07/08/09 Vocals
I made a slight mistake in the recording procedure.
When recording the guide uke/vox track I turned the drums off and used the annoying clave metronome.
My timing drifted in a couple of parts.
This had the knock on effect of throwing the subsequent recordings ever-so-slightly 'out'.

It's an odd sensation, listening back to the guide-track whilst recording another part.
You know your timing is dead-on against the drums - which I'd turned back on - then the backing-track 'wobbles'.
You only have a split second, once you realise something's wrong, to readjust.

It's a bit like being seasick.

I could not get the vocal right, one of the reasons it's fallen off my top 20 songs to sing and play.
The result is a combination of several takes.
I like the way I attempted to extend the word 'and' in the stanza  'I get up in the morning, and I have nothing to say'.
It was an attempt at a tension building 'annnnnnnd here's Dickie' talk show host way.

I like the way I sung 'tired and bored with myself' in my impersonation of a narky teenage way.

These observations may not actually be apparent to normal people, but I can hear them.

Here it is then:

It's growing on me, but it's done now.


Banished To A Pompous Land said...

I like it! And no no one but you can hear those glitches your talking about. Certain not me, you know how my musical ear is though. I'll play it to Mrs. B for an expert Brooooooce opinion.

Outa-Spaceman said...

Your 'ear' was very influential on me once upon a time.
...can't be all that bad!